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New Iron Man 2 trailer is here (and it’s awesome)

Posted: 08 Mar 2010 01:08 AM PST

We’ve given you a first look at Iron Man 2 way back in June last year, and two months ago, we reported it will be Marvel's first IMAX movie when it hits screens on May 7, 2010. It’s 2.32 minutes long and very, very cool.

This is the official synopsis of the movie:

Paramount Pictures and Marvel Entertainment present the highly anticipated sequel to the blockbuster film based on the legendary Marvel Super Hero Iron Man, reuniting director Jon Favreau and Oscar® nominee Robert Downey Jr. In Iron Man 2, the world is aware that billionaire inventor Tony Stark (Robert Downey Jr.) is the armored Super Hero Iron Man. Under pressure from the government, the press and the public to share his technology with the military, Tony is unwilling to divulge the secrets behind the Iron Man armor because he fears the information will slip into the wrong hands. With Pepper Potts (Gwyneth Paltrow), and James Rhodey Rhodes (Don Cheadle) at his side, Tony forges new alliances and confronts powerful new forces.

Here’s the new trailer (Trailer on Apple.com in HD)

And to make things complete, here is the first official trailer (released in December last year):


CrunchGear Week in Review: Bathroom Remodeling Edition

Posted: 08 Mar 2010 12:00 AM PST

The Oscars iPad commercial

Posted: 07 Mar 2010 06:27 PM PST

OMG! Isn’t it strange to see our twisted little obsessions encroach on real life?


Ubisoft’s DRM servers crash, locking players out of their games

Posted: 07 Mar 2010 05:55 PM PST


When it was revealed that Ubisoft’s new DRM scheme would require you to be online at all times, and if disconnected for any reason would boot you out of the game, people immediately asked the obvious question: “Well, what if your DRM servers go down?” Ubisoft was not forthcoming, unless this little calamity is their roguish idea of an answer. Yes, the servers which must be connected to constantly in order to play, save, or do anything at all went down early this morning, and everyone who wants to play their new legitimately-purchased copy of Assassin’s Creed II is SOL.

The outage appears to be ongoing, if this forum thread is any indication, and I don’t see any official response stickied or anything. A little googling shows some workarounds for getting into the game but no crack yet from any of the major groups. Don’t worry, that’ll only take a couple more days. So everyone is pretty much dead in the water at this point. Some people are floating the idea that it’s a DDoS attack, and hey, why not? Let’s be honest: they were practically begging for it.

Now, the informed, vocal, forum-going internet citizen might be able to bear this outage philosophically, because they understand what DRM really is and how this particular DRM works. It sucks, yes, but most will grin and bear it. But there are many, many people out there who are completely unaware of the vast network of strings being pulled behind the scenes, and will simply return the game, thinking it broken. And really, it is, isn’t it?


It’s official: here’s the scoop on Panasonic’s new G2 and G10 cameras

Posted: 07 Mar 2010 12:30 PM PST

So we finally have the official press release from Panasonic, we of course got a glimpse of the G2 and G10 the other day, but now we know all the news that’s fit to share. Both look like some decent kit, and a definite step up from most of the P&S cameras out there.

Just to recap, the G2 and G10 are the latest from Panasonic using the Micro Four Thirds format. They both sport a 12.1 megapixel sensor and a 3″ LCD screen. Both shoot in 720p, and come with a 14-42mm F3.5-5.6 lens in the basic kit. The G2 also has an LCD touchscreen that is capable of folding out and twisting to whatever angle (within 180 degrees side to side and 270 degrees up and down). The G10 is a little more basic, but has a software set designed towards the beginning user. The G10 also has a standard LCD display instead of the touchscreen/rotating display. Pricing is still not available yet, but we should know about a month before release.

Here’s the press releases for all the gritty technical details:

LUMIX DMC-G2, WORLD’S FIRST* INTERCHANGEABLE LENS SYSTEM CAMERA WITH TOUCH-CONTROL MOVABLE LCD

Panasonic LUMIX G2 Features a 3-Inch Touch-Screen, Allowing for Quick and Intuitive Setting Changes, such as Focus, with a Single Touch

Secaucus, NJ (March 7, 2010) – Panasonic today announces the LUMIX DMC-G2, the world’s first* digital interchangeable lens system camera with a movable LCD that allows for touch-control, and the successor to the award-winning and revolutionary LUMIX G1, which was the world’s first Micro Four Thirds digital camera. The intuitive touch-control shooting elevates the camera’s operability, letting the user adjust auto focus (AF) simply by touching the subject on the large 3.0-inch 460,000-dot high- resolution LCD. The LUMIX G2, also shoots 720p High Definition video using the AVCHD Lite format, and joins the LUMIX G10, also introduced today, as the latest models in the LUMIX G Micro System.

With the touch-screen operation, users can even snap a photo by touching the LUMIX G2’s screen. Additionally, the touch-screen operation excels not only for shooting but also during playback. Users can touch one thumbnail viewed among many to quickly and easily see the full size of the desired photo. Also, to view images one-by-one, photos can be dragged across the screen to browse as though flipping the pages of a book.

“With the LUMIX G2, Panasonic is pleased to continue to lead the evolution of the Micro Four Thirds platform and also be the first in the industry to offer a touch-screen interchangeable lens system camera,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “Touch-operation is a user interface with which many consumers are both familiar and expect, and we think the LUMIX G2’s touch-operation makes it easier and quicker to take photos and videos that have professional-like effects.”

Using the touch-screen operation, once a user locks onto a subject, the LUMIX G2 enables AF Tracking and will track the subject as it moves within the frame. Then, with a touch on the screen, users can select the part and the size of AF area with the 1-area AF. The Multi-area AF sets a group of AF points according to the composition. While using the manual focus, users can enlarge a subject by touching it and then choosing to enlarge it by 1x, 5x or 10x and then smoothly moving the part by dragging it on the screen. With this touch operation, menu settings can be changed quickly; cutting the time it takes to navigate using standard cursors. However, all setting changes can still be done using the control pad, if preferred.

The LUMIX G2 records 1280 x 720 HD videos in the AVCHD Lite format, which increases recording capacity and is highly compatible with audio-visual equipment. With a dedicated video record button, users can easily start recording a video. To complement its high-quality video capabilities, the LUMIX G2 features advanced audio options, as sound is recorded with Dolby Digital Creator and an optional accessory stereo microphone can be attached. A Wind Cut function further enhances the sound as it helps reduce noise caused from background wind.

The 3.0-inch touch-operation LCD has a wide-viewing angle and rotates 180° from side to side and tilts 270° up and down, providing approximately 100% of field of view. This free-angle LCD with a touch-screen operation makes it possible to both view and touch the screen from any angle. The double Live-View function offered by the high-resolution, 460,000-dot free-angle Intelligent LCD and 1,440,000-dot 1.4x (0.7x) Live View Finder allows users to see the settings’ results before pressing the shutter.

The 12.1-megapixel Live MOS sensor featured in the LUMIX G2 offers the best of both worlds – the outstanding image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. Advanced technology enables it to read four channels of data simultaneously, helping the LUMIX G2 to deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation. Plus, with the high-speed, high-performance Venus Engine HD II, which has been re-engineered to further improve image quality.

The new high-speed, high-performance Venus Engine HD II supports the new image processing technology Intelligent Resolution, which enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation – are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achieve a smoother effect. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear.

For users looking for additional creative options for both photos and videos, the LUMIX G2 delivers. While shooting HD video, users can set the camera in “P” mode – to change the aperture for professional-like movie effects where the images blur into focus. For still photos, the LUMIX G2 features the My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while also keeping the Custom mode, which lets users manually set the color, brightness and saturation levels and save their favorite settings into memory.

On the other hand, for beginner users not yet ready for manual modes – the LUMIX G2 features iA (Intelligent Auto), a popular setting in the LUMIX point-and-shoots that automatically engages features and settings for optimal image quality by detecting the shooting environment. Panasonic iA is available in both still photo and video recording settings and a new dedicated iA button, which illuminates in blue when engaged, makes it even easier to use this handy feature.

Other features of the LUMIX G2 include:
• Dust Reduction System: If dust or other foreign matter gets inside the camera when you’re changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the G2 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively.
• Included Software: PHOTOfunSTUDIO 5.0 HD Edition makes it possible to sort and organize photos. Videos can be uploaded directly to YouTube using the built-in YouTube uploader – even in HD quality. It also lets you create a 360-degree rotation panorama file in .MOV files. The software is compatible with the Windows 7.

The Panasonic LUMIX G2 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait. Additionally, the LUMIX G2 is compatible with all Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera.

The LUMIX DMC-G2 and other LUMIX G Micro System digital cameras can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R. Other accessories include external flashes, filters, a remote shutter, HDMI mini cables and a variety of stylish straps and bags. To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix. The Panasonic LUMIX G2 will be available in red, blue and black models and pricing and availability will be announced 30 days prior to shipping date.

PANASONIC LUMIX G10, WORLD’S LIGHTEST* DIGITAL INTERCHANGEABLE LENS SYSTEM CAMERA WITH A VIEWFINDER

Compact and easy-to-use, the LUMIX G10 shoots high-quality photos and HD video and is an approachable alternative for users new to system cameras

Secaucus, NJ (March 7, 2010) – Panasonic today introduces an addition to its Panasonic LUMIX G Series, the LUMIX DMC-G10, the world’s lightest* digital interchangeable lens camera with a viewfinder, which packs a host of advanced digital camera functions designed to be easy-to-use for users new to system cameras. The new compact and portable LUMIX G10, which can record High Definition (HD) video in addition to high-quality still images, joins the LUMIX DMC-G2, also introduced today, as part of the Panasonic LUMIX G Series.

“The LUMIX G Micro System has revolutionized the photography industry ever since the release of the Panasonic G1, the world’s first interchangeable lens system camera based on the Micro Four Thirds System standard,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “We continue to expand this award-winning LUMIX G Series, and with its easy-to-use features and compact size, we expect the G10 to attract a lot of new users who want to step-up from their point-and-shoots.”

The LUMIX G10, with its incredible compact body and portable design, uses a mirrorless structure as part the Micro Four Thirds System standard, eliminating a number of components that are found in a conventional interchangeable lens camera, including the mirror box and optical viewfinder unit. This innovative structure allows for the LUMIX G10 to be the world’s lightest system camera in a compact digital camera design that is a desired feature for new users. Adding to its lightweight body, the LUMIX G10 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for shooting a wide-range of scenes, from dynamic landscape to portrait.

Panasonic designed the LUMIX G10 to be easy to use offers iA (Intelligent Auto) mode – with its shooting assist functions that have proven extremely popular in LUMIX compact cameras. Panasonic’s iA (Intelligent Auto), an easy shooting mode with automatic optimization according to the scene in either photo and video recording, is helpful to beginner users unfamiliar with an interchangeable lens system camera. With the new dedicated iA button, which illuminates in blue when engaged, activating this mode is even easier and can be used to shoot both photos and videos.

When shooting still photos, iA offers the following: MEGA O.I.S., which helps prevent blurring from hand-shake; Intelligent ISO Control, which reduces motion blur by adjusting the ISO sensitivity if the subject moves; Intelligent Exposure optimizes exposure for each part of an image, preventing blocked shadows and blown highlights and helping ensure that gradation and details are reproduced properly; Intelligent Scene Selector detects the most common shooting situations – Portrait, Night Portrait, Scenery, Night Scenery, Close-up and Sunset – and switches to the appropriate Scene mode automatically – no setting changes needed.

The LUMIX G10 can record 1280 x 720 HD video in Motion JPEG, QVGA, VGA and WVGA formats. Users can enjoy recording HD videos while taking advantage of the high quality lens and the flexibility to change to other lenses. Even users new to recording videos will find the LUMIX G10 makes it easy. Panasonic’s iA for video offers the following: Optical Image Stabilizer (O.I.S.) helps prevent handshake when using high-powered zoom; Face Detection** automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion; Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows; Intelligent Scene Selector automatically switches between Normal, Portrait, Close-up, Scenery, and Low Light modes according to the situation to optimize visual quality.

With AF Tracking, the LUMIX G10 can lock onto any subject and keep it in focus even if it moves – making it easy to get beautiful, clear shots of moving subjects, such as children and pets. Simply aim, lock, and shoot. The Face Recognition function remembers registered faces to give an appropriate AF/AE on the people. In playback, you can choose to display only photos that contain a specific registered face using Category Playback. The contrast AF system adopted by the LUMIX DMC-G10 is not only accurate and easy to use, but also very fast. Users can choose from a wide range of AF modes, including AF Tracking, 1-area AF, Face Detection AF/AE and 23-area AF.

The LUMIX G10’s Live View Finder, with a resolution of 202,000-dot equivalent, 1.04x (0.52x*) retains the viewability of an optical viewfinder and displays information about its settings that users can see without removing their eye from the subject. The 60 fps Live View is powered by the Live MOS sensor, which takes signals directly from the image sensor and sends them continuously to the LCD, in real time. Both the Live View Finder and LCD provide approximately 100% field of view. This allows the user, when composing a shot, to check the framing accurately from corner to corner. The 3.0-inch large 460,000-dot high-resolution LCD with wide viewing angle automatically controls the brightness according to the situation as an Intelligent LCD.

The 12.1-megapixel Live MOS sensor and the new Venus Engine HD II help to separate chromatic noise from luminance noise and apply the optimal noise reduction to each, so users can capture clear and beautiful images even when shooting at high ISO sensitivity levels. The high-speed, high-performance Venus Engine HD II, which has been re-engineered to incorporate the new image processing technology, Intelligent Resolution, enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation –are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achiever a smoother effect. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear.

All Panasonic LUMIX G Series digital cameras are equipped with the highly-efficient Dust Reduction System. If dust or other foreign matter gets inside the LUMIX G10 while changing lenses, it could cling to the image sensor and show up as a spot in your photos. However, with the Dust Reduction System, it helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively.

Other features of the LUMIX G10 include:
• My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette. Also includes Custom mode, which lets users manually set the color, brightness and saturation levels. For beginners, the LUMIX G10’s full-time Live View function lets users see how these settings will affect the images before they shoot, making it easier to capture the exact mood or atmosphere desired.
• Scene modes total 26, including the Peripheral Defocus mode, which lets users take a photo where the foreground is in focus and background is blurred – or vice versa. This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera’s keypad, it is simple for photographers of any level.
• Exposure meter can be displayed in the P/A/S/M shooting modes. The correlation between shutter speed and aperture is shown, with a color-coded warning system that alerts users when the settings are not in the proper range. For those new to system camera digital photography, this makes it easy to learn proper settings both visually and logically, enhancing their photography skills.

The Panasonic LUMIX G10 is compatible with Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera. In addition to LUMIX G lenses, the LUMIX DMC-G10 and LUMIX G Micro System can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R.

Pricing and availability for the Panasonic LUMIX G10 will be announced 30 days prior to shipping date. It will be available in black. To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix.

PANASONIC ANNOUNCES COMPACT AND LIGHTWEIGHT STANDARD ZOOM LENS FOR LUMIX G SERIES DIGITAL CAMERAS

SECAUCUS, NJ (March 7, 2010) – Panasonic today introduces a new interchangeable lens for its LUMIX G Micro System, the ultra-compact and lightweight LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens offers versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait. The LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens will be part of the kit lens for the latest additions to the LUMIX G Series of digital cameras: the LUMIX DMC-G10 and LUMIX DMC-G2, also introduced today.

The new LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens incorporates Panasonic’s MEGA O.I.S. (Optical Image Stabilizer), which makes it easy to shoot clear photographs, even in low-lit situations, by suppressing the blur caused by a shaky hand. Adopting an inner-focus system driven by a stepping motor, the superior optical design realizes outstanding smoothness to support the high-speed AF (Auto Focus) system of LUMIX G cameras. When mounted on any of these cameras, this new lens allows users to maximize all of the AF system’s functions.

With its minimum focus distance of 30cm even at full zoom, this lens provides a maximum photographic magnification of 0.32x (35mm equivalent). Seven aperture blades make up a circular aperture diaphragm to produce an attractive smoothness in out-of-focus areas even when shooting at a large aperture. The LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens system uses multi-coated lens elements that reduce blur, helping to deliver superior performance. This new lens system also features excellent contrast even at its highest zoom level. The inclusion of an aspherical lens improves optical performance by minimizing distortion, even at the 28mm wide end. For more information on the Panasonic LUMIX G Series digital cameras, lenses and accessories, please visit www.panasonic.com/lumix.


Portal 2 in Game Informer, scanned for your pleasure

Posted: 07 Mar 2010 11:14 AM PST


I haven’t even looked at these yet. I saw them on Reddit and immediately came here to put them up. So that’s why this post is so short. Wait, I just read this: “Portal was a test bed. Portal 2 is a game.” Ah jeah! And it’s out this fall.

All these are in this month’s issue of Game Informer. Go to your local newsstand!


An Oscar win for Avatar tonight is a win for 3D technology as a whole

Posted: 07 Mar 2010 10:30 AM PST

Tonight’s Oscars are as much about technology as they are good movies. Granted, movie-making has always been about embracing new technology—critics complained when movies first appeared, when they added sound, when they added color, etc.—but Avatar can be looked at as nothing more than a glorified tech demo. A win for Avatar tonight is a win for 3D technology, end of.

I write this not having seen any of the movies nominated for best picture. This year just seemed sort of “meh.” I did grab the movie Un Prophète, but the odds of me staying away from Napoleon: Total War long enough to closely watch it are pretty much non-existent. (Note: Napoleon: Total War is my Game of the Year so far. Unless Crysis 2 is as good as it looks, and unless Gran Turismo 5 actually comes out this year, which, well, the less said the better, it’ll probably stay that way. Worst constructed sentence ever.) But let’s put it this way: if Avatar was only a plain ol’ 2D movie, would it even have been nominated for the Oscar? Based on what I’ve read, no.

So, 3D. It’s going to be the savior of Hollywood, so they say. It makes going to the movie theater a fun experience, and discourages staying at home and watching, say, There Will Be Blood on Blu-ray on your 60-inch plasma. Well, until 3D TVs come down in price, but don’t expect that to happen too soon. Plus, based on what I saw at CES this past January (and having played Battlefield: Bad Company 2 in 3D last week), I’m going to say that your Avatar-like movie-going experiences are going to be unique enough that they’ll continue to be a draw, at least for a little while. Alice in Wonderland, also in 3D, did huge numbers this weekend, so there’s that.

But will it win, and should it win? The second point—should it win—is the more contentious question. It’s basically Pocahontas in Space (again, as I understand it), and if I wanted to see a movie that’s sorta based on Pocahontas, I’d see The New World again. (That reminds me to watch The Thin Red Line again soon. Now there’s a competent director.) Will it win? Is Avatar better than Hurt Locker? I’ve heard mixed things about Kathryn Bigelow’s film: some people love it, and others think it’s just OK. Precious? Inglorious Basterds? Neither of those are really the savior of Hollywood—how much money did James Cameron make everybody with his film?

Whether or not Avatar wins tonight, 3D technology is here to stay—we’ve already seen how sports networks have begun to embrace it.

One thing I do know: come 8pm tonight, I’ll probably be playing Napoleon: Total War and listening to Ron and Fez’s live Oscar coverage (there’s no way in hell I’m going to watch the actual Oscar ceremony) on Sirius XM satellite radio—maybe I’ll even join in on that Twitter party fun?

Oh, one more thing: FIFA stinks. That has nothing to do with anything, but whatever.


A new Tron Legacy trailer for your edification

Posted: 07 Mar 2010 06:38 AM PST

DWalk sent us in a tip about a new trailer for Tron. It’s been pretty hard to track down but I think we caught it in the wild. It’s nigh on unwatchable, but any artifact from a potentially horrible (but also potentially great (see Transformers v. Dark Knight)) movie that will destroy our childhood memories is a valuable one, right?

What do you guys think of the new Tron? Should they even bother?


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